Filmhouse Creative Scotland Transgressive North

Supported by Film Hub Scotland, part of the BFI’s Film Audience Network

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1956 & 2016  |  Dawn Cine Group & Minttu Mäntynen  |  Scotland  |  PG


A special commission by Glasgow Short Film Festival for the 60th anniversary of a lost archive film that never was. In 1956 a Glasgow-based socialist filmmaking collective embarked on an ambitious project confronting Scotland’s rural de-population crisis. Lost Treasure is a beautifully atmospheric audio-visual performance responding to the abandoned film: assembled by filmmaker Minttu Mäntynen and accompanied live by musicians Drew Wright (aka Wounded Knee) and Hamish Brown (Swimmer One).


Supported by PRS for Music Foundation and Film Hub Scotland, part of the BFI’s Film Audience Network. With thanks to National Library of Scotland Moving Image Archive.




2013  |  Clio Barnard  |  England  |  15


This contemporary masterpiece of British cinema is one of two films at this year’s Gathering exploring close community ties to horses and harness racing. Developed from documentary work exploring Bradford’s scrap metal trade, Barnard’s film portrays the mixed fortunes of Arbor and Swifty, two energetic young boys who become involved in the scrap business. Where Swifty is quiet, gentle and loves horses, Arbor is charismatic, hyperactive and has a keen eye for profit. Will the boys survive their encounter with menacing local scrap dealer Kitten unscathed?



1995  |  Amber Collective  |  England  |  15


Hoggy’s life is turned upside down when his estranged son Billy arrives needing a place to stay. As Billy once again becomes part of Hoggy’s life, their shared fortunes amidst the County Durham trotting community are gradually put to the test. The second of our films about community ties to horses and harness racing, Eden Valley provides an opportunity to see the essential work of Tyneside’s Amber Collective alongside the filmmakers themselves.


This screening was followed by a Q&A session with Amber members Ellin Hare and Peter Roberts.



1992  |  Julio Medem  |  Spain  |  15


An act of wartime cowardice comes to haunt three generations of Basque country farmers. Vacas chronicles the bitter feud emerging between two neighbouring families after Carmelo is killed because of his neighbour Manuel’s cowardice. Will Ignacio (Manuel’s son) and Catalina (Carmelo’s daughter) escape the fates assigned to them by their families, or will they be crushed under the weight of history? Deeply immersed in Basque traditions – notably featuring a stunning, traditional ‘aizcolari’ woodcutting sequence – Medem’s masterpiece marries the mythical with the historical in a thrilling and profound treatment of Basque history.



1965  |  Jean Rouch  |  Niger  |  PG


A rare opportunity to see one of the most remarkable documentaries in film history, currently unavailable to watch for UK audiences. Using collaborative working methods and in conversation with Songhoy comnunities, celebrated documentary maker Jean Rouch documents the journey of traditional gow lion hunters in Niger to confront “the American”: a ferocious lion that has been killing their livestock. Opening with the words of a traditional griot, Rouch fuses aspects of oral culture with magical realist documentary, evoking a dizzying sense of participatory experience.



1977  |  Taviani Brothers  |  Italy  |  18


Described by Pauline Kael as one of the world’s few truly animist films, Padre Padrone is a classic of Italian cinema and features some of the most vivid imagery ever committed to screen. A magical realist account of the life of a young Sardinian shepherd, the film tells the  story of Gavino, an intense young man in the shadow of his overbearing father who is taken out of school to look after his family’s flock of goats in the Sardinian mountains.



2014  |  Tomm Moore  |  Ireland  |  PG


A gorgeous, animated treatment of Irish selkie myths for all the family. 10-year-old Ben can’t help but resent his little sister when their mother disappears mysteriously after she is born. But when Ben discovers his wee sister Saorise is actually a selkie, and that her life is in danger from Macha the Owl Witch, can he put aside his sadness to bring their family together once again? Weaving together mythic Irish folk tales with the poignant realities of every day life, Song Of The Sea is a rhapsodic, magical-realist celebration of folk tale, imagery, and the importance of passing on tradition.



1989  |  Ian Sellar  |  Scotland  |  12


A rare opportunity to see Ian Sellar and Christopher Young’s lost classic of Scottish cinema on the big screen. Growing up in 40’s Stromness amongst a family of fishermen, Peter’s life is deeply influenced by dreams, his grandparents’ folk tales and his own powerful imagination. Who is the mysterious woman Peter sees down by the shore, and will he ever know the truth about how his father disappeared?


This screening was followed by a Q&A with celebrated Scottish film producer of Bannan and Seachd, Christopher Young.



1993  |  David MacDougall  |  Italy  |  Unrated


One of two films at this year’s Gathering exploring the lives of Sardinian shepherds, David MacDougall’s poetic ethnography portrays the different experiences of Franchiscu (62), his son Pietro (17) and their friend Miminu (43) who – although being born 20 years apart – are united by ties of family, friendship and common experience. Will Pietro, still a schoolboy, continue the way of life that has been in his family for generations?

And will Miminu and Franchiscu manage to hold onto their heritage as times change in Sardinia?



1976  |  Haile Gerima  |  Ethiopia  |  Unrated


A striking work of Ethiopian cinema fusing traditional oral culture with cinematic poetry and and a classic of the socialist, anti-imperialist Third Cinema movement. Reminiscent of John McGrath’s celebrated The Cheviot, The Stag and the Black, Black Oil, and highly pertinent to Scotland’s long history of land reform, Gerima’s film tells the story of a family of peasants rising up against their oppressive landlord, situated against the day-to-day rhythms of work and communal storytelling.


This screening was supported by the Africa in Motion Film Festival.



2015  |  Chloe Zhao  |  USA  |  Unrated


A gentle, profound portrait of a community under pressure, Chloe Zhao’s debut feature is a considered collaboration with native American residents living on the South Dakota Pine Ridge Indian Reservation. Highschooler Johnny and his 11 year old sister JaShaun face difficult questions after the death of their errant father. Looking to the future, what sort of life can Johnny and JaShuan expect on the Res? Is it better to cut and run, or stand and fight? Shot entirely on location, and featuring a remarkable cast of non-actors, Zhao’s debut is a moving testament to community dignity and the ties that bind.